![]() ![]() Dutchman had been praised and refused at the same time. As differently these two audiences may read the play as differently are their interpretations, criticism and attitudes toward the play. ![]() For the black people, precisely for the black non-reading audiences of the lower classes, it was the first time to be confronted with theatre. The Negro is not presented as a primitive African savage 8 anymore. For both, it was something new: The white audience was confronted with a new type of black man because up to now they had just known the nigger minstrel who was harmless and acceptable to them because he was de-sexed, trapped in a role which combined self-mockery with an endearing musicality 7. Initially, it played to primarily white audiences until Baraka moved it to the black audiences of Harlem 6. Dutchman was performed for a dual audience. Although the play was generally well received 4, it provoked critical controversy amongst its audience as well 5.
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